otherly beauty

I have long drawn strength from the reverence with which I approach my art. As a child I was touched by the otherly beauty of liturgical hymn and speech that I heard in the chambers of churches, where everything sounded (and was) important.

At five or six I lived for songs my grandmother sang while she prepared the ritual food made of wheat and sugar, symbolic of death and resurrection. Even now I hear her chant her vesper-hymn, for loved ones who have fallen asleep, I mark her holy smile. I see:

A crowd lit with candles …

The priest’s hand over the merciful little garden of the dead …

My grandmother turning and walking away, and disappearing into her strange distances.

It seems prayer is my natural language. I enter the songwriting process, go into every gig with a prayer on my lips. I need to. I need to lean on something greater than myself, to be open just wide enough to let a condition of grace in. I have always seen the enormous light in it, and that’s what I try to get to as an artist.

It’s sweetness for me. It’s delicious.

otherly

 

 

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