world’s oldest musical instrument

I loved museums when I was a boy, and I still do. The great ones in New York City,  especially the Natural History Museum, were places of wonder to me.

Some shows last week along the southern Atlantic coastline led me to the Smithsonian, where I spent hours wondering at this flute, discovered in a cave in Germany just ten years ago.

It’s about 35,000 years old, which makes it one of the world’s oldest manufactured musical instruments. Two pieces of carved and hollowed-out mammoth ivory, joined together and sealed. The flute had at least three finger holes and played a five-note scale.

The five-note scale is found, in different forms, in most of the world’s music, including Gospel, Folk, Jazz, American Blues and Rock. Which got me thinking:

We’ve had the ability to play any melody in popular music for tens of thousands of years. Who’s to say some of these tunes that are kicking around the pop charts haven’t been around for 30, 40, or 50 thousand years?

I know it’s far-fetched but there’s only a handful of notes and there have been human beings for millennia playing around with all the same notes, and the vast majority of music has been passed down anyway.

I suppose this is why we have the Museum: It’s a place to find remnants of every interesting or valuable thing we have ever touched alongside thousands of labels describing what’s gone, to help us make sense of the things that are left and begin anew from what we had discovered from the old.

I’m reminded how in my own real-life museum I have collected hundreds of artifacts, although they are stored as haphazardly as pencils and lyrics stuffed in cabinets, analog tapes and guitar strings tucked in drawers.

There is no order to them; they are curated in a chaos of hurt and joy. Endless artifacts of memory pressing against my heart, the songwriter’s gallery.

artifacts

15 thoughts on “world’s oldest musical instrument”

      1. It occurs to me I’ve got a good hour’s worth of original songs growing mold around here — just not strong enough to perform regularly now — happy to have someone take them over & breathe a little life into them — let me know, I’ll send you the roughest recordings in the whole underworld. Blessings on your path bro

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      2. Okay then, tell you what — I’ll break out this nonresonating thrift store half guitar that won’t hold a tune; activate the likewise ludicrously inadequate recording device in the Android upon which I do all my online work (can you say, “contortions”?); pick three ditties which seem to me less likely to require a rhythm section (or, indeed, any actually sounded note below about Middle C), and fire the resulting disasters your way.

        I’ll see, too, if I can manage to dismay you across a variety of styles, so you can advise me on which you hate the least — I both write to request and collaborate with cheerful facility.

        It’ll sound like folk ’cause nylon’s all I’m strong enough to play (and not too well at that) but I know that you know it’s all a one four five one with negligible adjustments of rhythm, instrumentation and mood, and can easily place them in mental context.

        Soon bro 😎

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      3. I listened, Ana. You’re good … in your phrasing, vibrato and even your breaths, I’m picking up an outside restlessness with an inner stillness from you … and the communication of an absolute truth, because you’ve lived it. More should hear you. – Tony

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      4. You write in poetry, my brother.

        Me, pushing sixty, probably won’t be gigging too much more but at least don’t have to hire singers for demos!

        Keep ’em in mind if somebody needs a song to sing.

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  1. What if there are undiscovered notes? Sounds on another level? A different way of hearing? Undetected vibrations? What if there is music playing all around us and we just haven’t the ears to hear it? 😁

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